Monday, February 29, 2016

FREE "GETTING INTO NYC KINDERGARTEN" WORKSHOP, PODCASTS & MOVIE DISCOUNT!

Dear NYC Parents -

I know it's hard to believe, because you haven't even finished filling out your child's Pre-Kindergarten application, and 2016 school placements have yet to be announced in their entirety, but the application season for Kindergarten 2017 (yes, 2017!) has already begun!

Don't get left behind! (Every year, the NYC Department of Education is flabbergasted about why more minority and low-income children don't sign up to take the test for gifted public schools and Hunter College Elementary. Maybe it's because they don't know how early you have to apply!)

The podcast below will tell you everything you should be doing starting now and heading all the way up to September 2017:



But wait, there's more!

Want to hear all the scoop in person? (I'll stop teaching parents how to work the system when all NYC schools are equally good.)

Come to a FREE "Getting Into NYC Kindergarten" workshop!

The first one of 2016 will be on Tuesday, March 15 at 6 PM on Lexington and 32nd St. Space is limited and pre-registration is required via Nory.co.

As an added bonus to help make this stressful year (more like 18 months) go a little smoother, check out the movie, "Kindergarten Shuffle."

Filmmaker Douglas Morse not only got his son into a highly competitive, citywide public school gifted program (the odds are, unfortunately, against you), he made an entire movie about it!

Listen to him talking "Kindergarten Shuffle" below:



And to get a 50% discount on purchasing the film (as well as two testing guides and an admissions guide) use the code "KINDERGARTEN" at http://www.grandfatherfilms.com/.


Wednesday, February 24, 2016

THE OLD & THE PREGNANT


Last week on The Young & the Restless, due to some convoluted blood-test switching, Ashley, played by Eileen Davidson, was pronounced pregnant. Everyone was shocked. But not for the reason you’d think. Ashley’s family was shocked by the news because they didn’t know she was seeing anyone romantically. And not because, having been first spotted in Genoa City in 1982 as a newly minted college graduate, Ashley is presumably 56 (okay, let’s assume she was a great student – 55, 54 tops) years old! 

Yeah, yeah, yeah, age is nothing but a number and you’re as young as you feel and as restless as you look (and no one is saying Davidson doesn’t look fantastic), but that doesn’t apply to the ovaries of women over 50! (To underline the point, it is, in fact, Ashley’s grown daughter, Abby, who’s pregnant, not Ashley.)


 Of course, in soap-land, even if she were, in fact, pregnant for real, Ashley still wouldn’t rate in the Top 5 Late in Life Pregnancies. Find out what those are at Entertainment Weekly, here!

Tuesday, February 23, 2016

WHY 'FULLER HOUSE' CAN'T BE A 'FULL HOUSE' COPY


It’s tough to say who’s having a harder time letting go of their 80s/90s television obsessions, the network executives who keep remaking/updating/sequeling classic shows, or the fans who can’t get enough of them.

Star Trek is on its umpteenth reboot, with yet another one announced for a new voyage on CBS. Boy Meets World begat Girl Meets World for the Disney Channel, The X-Files is still searching for the truth somewhere out there on FOX (where they last left it), and 21st Century versions of Twin Peaks, MacGyver, Gilmore Girls, 24, and even Tales From the Crypt are in the production pipeline.

In the meantime, there’s Fuller House, a sequel to the TGIF hit, Full House, which ran on ABC from 1987 to 1995. That show featured three men – dad, uncle and best friend – moving in together to raise three, catch-phrase spouting little girls (four, if you count that the baby was twins; both of whom can now buy and sell every other cast-member). The Netflix series, premiering on February 26, 2016, is a Bizarro mirror world, where three women – mom, aunt and best friend – move in together to raise three little boys (catch-phrases pending). There’s also a teen-age girl. Presumably to prove this isn’t a carbon copy but a re-imagining.

When a teaser was released this past December, featuring literally a generic shot of the Gold Gate Bridge, cable cars, the front door to a house, an empty kitchen, an empty living room with a checkered couch in the center, a dog and some disembodied voices, it quickly became the streaming services’ most-watched original series trailer ever

Full House made its debut at the tail end of the Reagan era. It actually came out two months prior to the mega-movie hit, Three Men and a Baby, meaning neither was so much a blatant copy as one of those uninspired Hollywood coincidences that periodically cause several properties to simultaneously tackle volcanoes that bury cities, asteroids that threaten Earth, and teen-agers switching bodies with adults.

The main gag in both the feature film and the sitcom was Men Can’t Take Care of Babies! Now laugh!

Each spot-lighted diapers falling off adorable (and suspiciously clean) baby butts, food being spewed and/or flung with Hall of Fame precision into surprised faces, and hapless dads/surrogate dads utterly overwhelmed by basic tasks that have kept the human race from dying out lo these many millennia.

The Fuller House trailer offered the same front door, and the same kitchen and living room – now filled with familiar faces and the observation, “Damn, we all still look good!” They also checked the box on generic 90s catch-phrases – “All that and a bag of chips,” “Talk to the hand,” Oh, snap,” “You go, girl,” and “Stop, Hammer Time” are rattled off in quick succession, as if they’re afraid of forgetting one – as well as show-specific ones, including, “Have mercy,” “How rude!” and “You got it, dude!” There are multiple group hugs featuring both children and adults. Also, fear not, a baby does giggle adorably while throwing food smack into the face of his aunt (who happens to be wearing white).

The big question about whether or not Fuller House will be able to capture the magic and fan affection of the original comes down to this: When men are shown being incompetent in taking care of children, it’s adorable. They get a studio audience “awww” just for trying. (Same as male teachers do). After all, they’re men. Men don’t have to take care of (their own) kids. And they certainly aren’t obliged to take an interest in other people’s offspring. The fact that they’re willing to pitch in like this just shows how enlightened, noble and generous they are. Results aren’t the point. Participation trophies for everyone!

Read about why this might be a problem for Fuller House, here.

Thursday, February 18, 2016

HISTORY OF SOAP OPERA LESBIAN CHARACTERS

Last week on General Hospital, Kristina tried to come to terms with her sexuality in light of her attempts to seduce a better grade out of her college professor – or was it something more than that? (As Sonny’s daughter, shouldn’t she have tried hanging her on a meat-hook first?)

Like many of the social issues they’ve introduced over the years – interracial relationships, people transitioning genders, rape - soap-operas have a spotty record with introducing lesbian characters. (In the genre’s defense, when you’re producing 5 day a week, 52 weeks a year of content, some of it is bound to be clunkers. The real miracle is how many actually aren’t.)

In 1977, two shows attempted vaguely similar storylines. On The Young & the Restless, a lonely Kay began developing what appeared to be romantic feelings towards her roommate, Joanne, showering the formerly overweight and insecure woman with gifts and affection. Kay’s son, Brock (who never quite figured out where to draw the line when it came to his mother’s relationships), told Joanne about Kay’s presumed attraction, and Joanne promptly cut herself off from Kay.

Similarly, on Days of Our Lives, Sharon confessed that she was in love with her friend, Julie. Actress Susan Seaforth Hayes, who still plays Julie to this day, recalls that her reaction was something akin to freaking out and running out of the room. That was pretty much the end of Sharon.

It wasn’t until 1983 that daytime introduced its first openly gay woman in a recurring role. Donna Pescow (of Angie and Saturday Night Fever fame – though before she played the mother in Out of this World) appeared as Dr. Lynn Carson, a child psychiatrist working with Devon’s daughter, Bonnie. Devon, who’d had several awful relationships with men, developed a crush on her little girl’s doctor. But when she told Lynn that she was in love with her, Lynn informed Devon that no, she was not, she was just confused. That was also soon the end of Lynn.

By the year 2000, however, AMC was ready to commit to a long-term storyline dealing with the one and only Erica Kane’s daughter, Bianca, coming out.

To read what actress Eden Riegel, who played Bianca, had to say about it, as well as Guiding Light writer Jill Lorrie Hurst talk about the Olivia/Natalia pairing, go to:  http://community.ew.com/2016/02/16/soap-opera-lesbian-characters/


Thursday, February 11, 2016

HOW SOAPS HANDLE MALE RAPE


Earlier this week on The Bold & the Beautiful, Quinn and Liam kissed. That’s not usually a particularly big deal. It’s a soap. People kiss (and more) all the time. It’s kind of what folks watch for. What made this kiss abnormally squicky (that’s a technical term, go with it), was that Liam has amnesia. He doesn’t remember that he hates Quinn for a variety of reasons. Little things like trying to kill him with a sword.

Right now, Liam thinks that his name is Adam. And that he’s married to Quinn. Who’s name is Eve. She told him this, and is hiding Liam at her house. So that her son, Wyatt (who is also Liam’s half-brother), can have a clear shot at Liam’s ex-wife, Steffy, who thinks that Liam just abandoned her without a second thought.

See how the kissing becomes a bit problematic at this point?

Meanwhile, last week on Days of Our Lives, Steve slept with Ava. Again, not a particularly big deal on soaps. Except that Ava who, after having strung along Steve’s teen-age son, Joe, romantically, forced Steve to have sex with her in exchange for Ava revealing where she’d kidnapped and hidden away Steve’s true love, ex-wife, Kayla. Now, Ava is threatening to tell Kayla “what Steve did,” if he doesn’t do whatever Ava says.

There is a word for what Ava did, and for what it sure does look like Quinn is about to do. It’s not a nice word. In fact, when I wrote a post about soap-opera’s treatment of women who are raped, it prompted ex-Another World star Alicia Coppola to rebut my interpretation of events.

Actor Scott Clifton, who plays Liam on B&B, also disputes interpreting what Quinn is doing as rape, claiming on Twitter that it is, at most, fraud. Some fans agree with him, some don’t.

Chime in with your opinion on my latest Entertainment Weekly post at: http://community.ew.com/2016/02/09/soap-opera-male-rape/

Monday, February 08, 2016

SKATING CHAMP PHOTOS & FREE SKATING BOOK

I wrote about where fans could watch FREE figure-skating for my NY Frugal Family column at Examiner.com.

For those who weren't able to get out to Bryant Park's Winter Carnival this weekend, here are photos of 2016 U.S. Men's Champion Adam Rippon and past U.S. Pairs Champions John Coughlin and Caydee Denney to make up for it!


And here's something to look forward to!

Murder on Ice: A Figure Skating Mystery with skating videos by Ice Theatre of NY included as part of the story is FREE to borrow now on Amazon, and will be FREE to download for the last time this year the weekend of the World Championships!

Don't miss it!



Photo Credit: Andrew Kelly for Bryant Park

Thursday, January 28, 2016

GROUNDHOG DAY - SOAP OPERA STYLE!

Does it ever feel like some soaps tell the same stories over and over again?

For a Groundhog's Day post on Entertainment Weekly, I want to write about plots that get recycled (sometimes even with the same characters).

Which ones you like, and which you hope you'll never see again.

Please tell me in the Comments, or email me at: AlinaAdams@gmail.com

Looking forward to reading!

Wednesday, January 27, 2016

TOP 10 SOAP OPERA TINY TERRORS


Let’s cut General Hospital’s tiny terror Jake some slack. It’s not easy coming back from the dead. Especially when you “died” a cherubic preschooler and are now an angsty tween. Who was held prisoner for years by a psychotic (though well-dressed) villainess known for her tendency to brainwash. And the guy who rescued you, the one you thought was your dad, takes off with some vague excuse about “keeping the darkness at bay” and whatnot. Then you find out another guy, the one who once shared your name, prompting everyone to call you Little Jake (how demeaning!) is really your dad. Except he and your mom aren’t together anymore, and he’s inching closer to his ex, the mother of his other son. The one who’s still a cherubic preschooler.

Anyone would go a little batty after all that. So if Jake is the one making it look their family is being stalked in order to push his mom and dad back together, who would blame him? The kid definitively needs some therapy. (Though it’s questionable whether ex-serial-killer-turned-art-therapist Franco, the one who was once obsessed with Jake’s mob enforcer dad, is exactly the right person for the job.)

Alas, poor, traumatized Jake isn’t the only tiny terror currently living in Port Charles. There’s also Spencer who, save a kidnapping or two, up until his recent Phantom of the Opera style face-burning incident, had led a pretty charmed life. (So, okay, his mom died when he was an infant – and didn’t come back from the dead. But in the grand scheme of soap-opera kid tragedies, that one barely rates.) Nonetheless, in addition to his precocious vocabulary, Spencer also boasts a precocious rap sheet. At only 10 years old, he’s already tampered with a local election by stealing a ballot box, broke into his father’s safe to snag a family heirloom ring, and dropped sand-bags onto the stage where his (also 10 year old) “romantic rival” was performing a tango with the girl Spencer wanted for himself.

But lest your think Port Charles is exclusively popular by bad boys, meet Josslyn. Cancer that led to a kidney transplant as a tot is no excuse for such later acts as locking her babysitter in the attic, trying to smash a man’s brains in with a crowbar, general scheming with Spencer, and lots of standing around, looking very Bad Seed-ish. On the other hand, Joss seems to be one of the few people in town who realizes that her mother’s on-again/off-again husband, Sonny the mobster, is a horrible person. Takes one to know one?

Meanwhile, over on The Young & the Restless, there’s a budding tiny terror in the making as Max blames stepmother Abby for his mother’s recent death. As opposed to blaming his mother for driving and talking on her phone at the same time (let this be your PSA, kids!). Abby thinks she can smooth over the situation by getting Max a sneak preview of a new video-game. Abby is wrong.

Will Max eventually stop sulking, or will his whining escalate into GH kids’ territory? Let’s check out the trajectories of some previous soap-opera tiny terrors, in ascending order of sociopath, to see if they might offer a clue at Entertainment Weekly!

Wednesday, January 20, 2016

HOW NOT TO WRITE A ROMANCE NOVEL

Yup, I'm still at it.

July 2014, I started writing my next romance novel - live with reader feedback (after all, what's the point of telling me you hate something after the book is finished and it's too late for me to do anything about it?) and keeping a log of how it's going. Here are the latest updates:

UPDATE 10/19/15 
So last week I oh so triumphantly announced that I’d finished the first draft of this live written manuscript, and would be starting on the editing today. But then, over the weekend, I thought of an extra scene I needed to make the last ones pay off. So it’s back to the drawing board…

UPDATE 10/30/15 
It took me a long time to learn to like editing. With my first book, “The Fictitious Marquis,” back in the dark ages of 1993, when editorial notes actually came scribbled in the sides of a printed out manuscript’s margins, the first time I got a revision letter, I actually left it on the kitchen counter and tip-toed around it for an entire week before I had the stomach to read it in detail. Revisions? What do you means, revisions? Isn’t the manuscript perfect? Isn’t that why you bought it?

Cut to (I also write for TV) twenty years and over a dozen books later and I’ve worked with editors who had suggestions for nearly every line, and also ones who would give vague feedback like, “This scene doesn’t work. Make it work.”

I haven’t gotten much better at dealing with those sorts of notes, but I have taught myself to enjoy editing my own work. I look at it as sifting through the garbage and finding the decent story that’s buried underneath.

Usually, writers are advised to let their work sit and “air out” for a bit before diving in for a 2nd go. But as you can see by the dates, I started this manuscript over a year ago, writing live so aspiring writers could see what a real 1st draft looks like. I figure, by the time I got to the end, the beginning has aired out enough.

Writers are also advised never to show anything other than their very best work. That ship has obviously sailed.

Now that I’ve demonstrated what a real 1st draft looks like, I’m going to do an equally ill-advised thing and show what happens in a 2nd draft edit.

As a reader, I like a tight manuscript that gets right to the good stuff. No description, minimal introspection, just tell me what happens next! During the course of writing the 1st draft live, I found that plugging a sentence into Twitter and making it fit the 140 character limit is a great way to hunt down excess words and unneeded adjectives. I intend to edit my entire manuscript using that method.

As of today, this document runs 96,566 words. My goal is to get it down to around 80,000 without sacrificing story - well, actually making it better.

UPDATE 11/9/15
During today’s live editing pass, I cleaned up some typos, turned paragraph-long run-on sentences into two or three shorter sentences and, most important, got rid of at least a dozen “he said,” “she swore,” “he insisted,” etc.... Reading it over, I found I didn’t miss them. The dialogue conveyed the emotion (as it should). What do you think? How does it read?

UPDATE 11/30/15
The key to being a professional writer is writing even when you don’t feel like it. I am exhausted from the 4 day break (yes, I clearly don’t know what it means to vacation) and then the work I needed to turn in this morning to make up for the short week. I don’t really feel like writing or editing. But I’m going to do it anyway. (In my experience, afterwards there is no difference between work written with enthusiasm and work that forced to meet a deadline.)

Follow along as I edit live at: www.AlinaAdams.com/live

Tuesday, January 19, 2016

'ANOTHER WORLD' STAR CLAIMS HE CREATED 'EMPIRE'

Clayton Prince played Reuben on Another World from 1988-1990.

Read Part #1 and Part #2 of our Where Are They Now interview series with him at the links.

These days, Prince is in the news for claiming that Lee Daniels stole his idea for what became Empire.

I didn't give the accusation much credence initially. After all, Empire is basically King Lear and/or The Lion in the Winter set in the musical world. It's hardly an original idea. Execution is where you draw a distinction.

But when Prince claimed that his version, of which Daniels allegedly saw both a script and a pilot, featured a middle-aged, white doctor misdiagnosing the patriarch of the family... things got interesting. (That doctor, by the way, on Empire, was played by Jennifer Joan Taylor, who'd been Chris on The Edge of Night.)

That would be a hell of a coincidence.

Read what Prince has to say about it and more, here.

Wednesday, January 13, 2016

DAYTIME'S FAVORITE SOAP HOPPERS


On Wednesday, January 13, The Young & the Restless’ comatose Billy will be waking up a new man. Because he will be played by actors Jason Thompson who, only last week, as Patrick on General Hospital, was (re)-marrying Robin and heading out of town with their daughter for a presumed Happily Ever After (or as close as a soap can get to one).

One of the guests at Patrick and Robin’s wedding was Jason, played by Billy Miller. Billy Miller used to play Billy (Abbott) on Y&R. The actor who played Jason on GH prior to Miller was Steve Burton. Burton now plays Dylan on Y&R. Got that?

You should. Because it’s just another day in the world of soap hopping. Back when there were over a dozen shows on the air, actors had a lot more roles to inhabit (and some even played two different characters on the same show, though usually separated by a period of years). Now, the circles they spin in are a lot smaller, and the time gaps between roles a lot shorter. GH, for instance, brought on actors Michael Eston, Kristen Alderson and Roger Howarth as their One Life to Live characters. A lawsuit from Prospect Park, which had re-launched OLTL online, forced the show to turn all three into new people within a matter of months.

Meanwhile, due to the furiously shrunken soap-opera universe, actor Tristan Rogers is pretty much bouncing back and forth as Colin on Y&R (where he plays the ex-husband of Genie Francis, who was his best-friend’s wife on GH) and Robert on GH, while Eileen Davidson is doing the same as Ashley on Y&R and Kristen on DOOL, and Wally Kurth is splitting his time between Justin on DOOL and Ned on GH. Because of the shows’ different shooting schedules, they sometimes air on both shows simultaneously.

Now, word comes that a pair of soap hoppers, Vincent Irizarry of Guiding Light (where he played two different roles), Santa Barbara, Y&R and All My Children, and Jordi Vilasuso of Guiding Light and All My Children, are coming to DOOL.

The reasons for casting the same actors over and over again are numerous. But the main two are that they bring their fan base from the previous show(s) and, when faced with 40 script pages that need to be done in one take, they know how to do it. That last bit counts for a lot when it comes to producers who most definitely don’t want to pay overtime.

Soap hoppers are daytime’s reliable MVPs. And in honor of them, we list our three favorites at Entertainment Weekly: http://community.ew.com/2016/01/12/favorite-soap-opera-hoppers/

Thursday, January 07, 2016

SOAPS & THE GRANDMOTHER CLAUSE

Excerpt from my BlogHer review of Telenovela:


Viewers learn that “Isabella used to be the leading lady until the day Ana took her place. She didn’t not handle it well.”

There’s video of Isabella throwing a massive tantrum. Which is exactly what Ana does when she learns that, due to her complaints about working with Javier, “You got your wish. You’re not playing my love interest anymore. You’re playing my love interest’s mom.”

This, unfortunately, is a very common occurrence on soaps. Because of something the fans like to call SORAS (Soap-Opera Rapid Aging Syndrome), an actress in her 30s, who gave birth to a baby on-screen five years earlier, might suddenly find herself playing the mom of a teen-ager (who, in turn, is played by a 25 year old… some of the age differences between actors on soaps are truly ridiculous. Joan Collins and Gordon Thompson, who played mother and son, Alexis and Adam, on Dynasty, were only 12 years apart in age. Thompson’s Santa Barbara dad, Jed Allen, was only seven years his senior. And Judith Light is exactly three years older than Mitch Pileggi, who played her son on the TBS reboot of Dallas.)

Many actors believe that once they’re playing a parent of a teen-ager or – God forbid – a grandmother, their days as a romantic lead are over, and they’ll be relegated to pouring coffee and listening to other characters’ problems (this, as a rule, happens almost exclusively to women. Soap-opera leading men have much longer shelf-lives. As Matthew McConaughey says in Dazed and Confused, “I get older, they stay the same.”). As a result, some daytime divas with enough clout have a “grandmother clause” inserted into their contracts.

As the World Turns star Eileen Fulton (Lisa) toldCBSNews.com about her demanding one in the 1970s, “I was involved in a hot romance at the time. I knew… soap-opera grandmothers had no fun.” (Savvy fans, consequently, blamed Fulton for Lisa’s on-screen son, Tom, and his wife, Margo, losing their baby.)

General Hospital’s Denise Alexander (Lesley) followed suit, which is why daytime TV’s best-known couple, Luke and Laura, had no children until Alexander was off the show.

But, the fact is, Fulton was right.

Tuesday, January 05, 2016

HOW SOAPS ARE LIKE 'STAR WARS'... AND CRACK


There is a reason why I can write so many theme posts, be it about surrogacy that goes tragically wrong, how near-death erases sins, and murder mysteries where the non-contract player did it. It’s because soaps tell the same story over and over again.

That’s not necessarily a bad thing (and it’s hardly exclusive to the genre). There are, after all, only so many stories to be told, and spinning the same tale with different characters often leads to different plot twists and denouements.

There’s also the fact that needing to keep the story going while keeping fan favorites on the front burner leads to an inevitable lack of Happily Ever After. All four of the soap-operas still left on the air spent their summer and fall trying to lure back lapsed viewers by bringing back fan favorites from the 1980s and 90s.

Days of Our Lives reunited super-couples Bo and Hope, Patch and Kayla, and Adrienne and Justin, General Hospital brought back Laura so she and Luke could have one last grand adventure before Luke’s portrayer, Anthony Geary, left the show for good… again. Meanwhile, The Young and the Restless stole Eileen Davidson from DOOL (a back-and-forth game the two Sony shows have been playing for decades, which sometimes results in the actress airing and competing against herself in certain markets), and dredged up the Victor/Jack feud well for the umpteenth time. Only The Bold and the Beautiful, which premiered in 1987, didn’t have as deep of a nostalgia vein to tap. So they pivoted in the opposite direction and went with killing off young legacy characters. Which was odd.

Unfortunately, bringing back characters who’d either sailed off into the sunset together or at least went out heroes meant either breaking up the celebrated couples (though death or infidelity), or undoing their heroism. For instance, GH’s Duke, who’d “died” trying to extricate himself from the mob so he and love of his life, Anna, could have a future together, inexplicably returned to the criminal lifestyle, which broke the pair up (again)… then died (again) for his trouble. At the very least, characters had changed from the folks fans fondly remembered, if only because all memories are covered in a golden haze. As opposed to the harsh Technicolor of reality.

This summer’s Star Wars sequel, The Force Awakens, faced a very soap-opera like challenge. How to reconcile golden haze memories of the past with characters inevitably moving forward from the happy ending we’d left them at in 1983 (complete with the Ewoks singing the original Ewok song!)?

How did they do compared to the soaps? Find out at Entertainment Weekly: http://community.ew.com/2016/01/05/soap-operas-like-star-wars/

Monday, December 21, 2015

GET A FREE COPY OF 'MURDER ON ICE' FOR CHRISTMAS

Tis the season to think about ice-skating... and murder!

Did you miss Ice Theatre of NY's free skating show and tree lighting at Riverbank State Park last weekend?

Don't worry, you can still see America's premiere ice dance company for free this Christmas by downloading a copy of the enhanced ebook, Murder on Ice.

Who killed the judge that awarded the gold medal to Russia's dour ice queen over America's perky princess? Was it one of the skaters? One of the coaches? A parent? A fan?

Murder on Ice: Enhanced Multimedia Edition features all the text of the original, Berkley Prime Crime paperback release, alongside professional skating videos by the Ice Theatre of NY to compliment the story. (Why only read about the characters skating, when you can see it?)

And it is absolutely free to download this Christmas, December 25 and 26, 2015. Make sure you get your copy and tell a friend!

Happy Holidays!

Thursday, December 17, 2015

AND THE TOMORROWS KEEP COMING

Last year, I wrote about Chasing Tomorrow, the sequel to Sidney Sheldon's If Tomorrow Comes, jumping 24 years forward in time without the characters aging a day.

Now there's a new book out, Reckless: A Tracy Whitney Novel by Tilly Bagshawe, the same woman who's been writing all the Sidney Sheldon titles since the author's death.

In 1980, the still alive Sheldon had a blockbuster hit with Rage of Angels. He later said, though, that one of the biggest regrets of his writing career was (35 year old spoiler ahead) killing off the heroine's son; readers were so upset. When the book became a mini-series, the little boy got to live. Though, in the sequel that wasn't based on a Sheldon book, he did spend some time in a coma from a head injury (the cause of his death in the book). Got that?

Bagshawe, however, decides to kill off Tracy's son (it's not really a spoiler, you figure it out reading the promotional flap copy) within the first few chapters, apparently not having heeded Sheldon's lesson. (Granted, it's not a great loss, as he's a thoroughly obnoxious teenager, no matter how many times Tracy thinks that he's as handsome and charming as his father, and she can't stay mad at him. I don't have that problem. The kid needs some discipline, not a mother who thinks everything he does is wonderful.)

And one other thing: Listen, I've worked in soap-opera for a long time. I get it. Happy Ever Afters are hard if you want to keep the story going. If Tomorrow Comes ended with Tracy and fellow criminal Jeff seemingly on their way to one, but Chasing Tomorrow broke them up for some pretty flimsy reasons. (Two of the world's best con-artists don't recognize a con when it's being played on them?) Reckless continues the will they or won't they, trumping up yet another false obstacle to reunion, even as the characters proclaim they're the loves of each others lives and always will be. It's pretty tedious.

"Tomorrow is the great adventure," Jeff tells Tracy. "And it's coming whether we want it or not."

The next Tracy Whitney adventure may be coming. But I don't think I'm going to read it.

WHAT SOAP OPERA FANS REALLY WANT FOR CHRISTMAS


Last Christmas-time, I asked soap fans for their favorite Christmas memories, and received responses ranging from All My Children’s Father Clarence visits to Days of Our Lives’ ritual hanging of the named ornaments to Guiding Light’s Phillip and Beth meeting St. Nick to the final episode of Texas and Ashley’s miraculous return home. (Read the entire list, as well as the fans’ reasons for their selections, here).

This year, once again, just as I did for my book, Soap Opera 451: A Time Capsule of Daytime Drama’s Greatest Moments, I returned to the internet and social media to crowd-source fan opinions on what gift (or lump of coal) they’d give various soap-opera characters, past and future.

See the results at Entertainment Weekly: http://community.ew.com/2015/12/15/soap-fans-want-for-christmas/

Friday, December 11, 2015

I DON'T THINK THAT COMPLIMENT MEANS WHAT YOU THINK IT DOES

Joy director David O. Russell has been getting justifiable praise for his comment about soap-opera actors.

Vulture reports:

But rather than include clips from a pre-existing daytime soap, Russell shot original scenes with soap veterans Susan Lucci (Erica Kane on All My Children), Maurice Bernard (Sonny Corinthos on General Hospital), Laura Wright (Carly Corinthos on General Hospital), and Donna Mills (Abby Ewing on Knots Landing). After working with these actors, Russell praised them in this week's THR directors roundtable, calling them "professional athletes."

I'd go, "Donna Mills! Susan Lucci! Let's have a catfight." They don't go, "Oh wait, what's my motivation?" They just go, bang! I was blown away by the power of these women actors.


Compare the above to an excerpt from actor Cary Elwes' book, As You Wish: Inconcievable Tales From the Making of The Princess Bride.

Elwes reports that director Rob Reiner described his future co-star, Robin Wright as "She's on this TV show, Santa Barbara - it's a daytime soap. But don't let that fool you, she's amazing."

For the record, Elwes goes on to say lovely things about Wright's talent and her work ethic, includuing working long hours and instantly taking direction, ascribing a big part of it to the rigor of doing a daily soap


Thursday, December 10, 2015

WHAT GIFT WOULD YOU GIVE YOUR FAVORITE SOAP CHARACTER?

For my next Entertainment Weekly soap-opera post, I want to hear from you!

Last year, you shared your favorite soap-opera Christmas memories with me. (Read what those were, here.)

This year, I want to hear what gifts you'd give your favorite soap-opera characters, past and present.

Does DOOL's Abigail need fire-proof baby clothes?

Should GH's Jason find a lie-detector test under the tree?

Shock-absorbers for B&B's Ivy?

A lump of coal for Y&R's Victor? Billy? Phyllis?

Tell me in the Comments, below!

Thursday, December 03, 2015

HOLIDAY TREE LIGHTINGS & SKATING SHOWS IN NYC

Missed the Bank of America Winter Village at Bryant Park Christmas Tree Lighting and Holiday Skating Show starring Brian Boitano, Johnny Weir, Nancy Kerrigan and Davis & White that I wrote about here? Fear not! We've got pictures (plus the inside scoop on NYC's next free tree lighting and skating show courtesy of Ice Theatre of NY)!

And if you're from out of town and want to get the Bryant Park skating experience (this time without Boitano, Weir, Kerrigan or Davis & White... though you never know who else might show up), check out the 70 Park Avenue Hotel's Skate at WinterVillage Package, which includes:

•        Two (2) nights accommodations
•        Four (4) tickets to skate at Winter Village
•        Roundtrip car service from 70 Park Avenue to Bryant Park’s Winter Village
•        $25 gift card for Silverleaf Tavern to warm up with Peet’s Coffee & Tea 

Learn more by emailing: PackagesNY@kimptonhotels.com 

And enjoy our photos below! 

All images by: Colin Miller Photography




Wednesday, December 02, 2015

SEEMS I'M THE MOM FROM 'CRAZY EX-GIRLFRIEND'

Last month, in my post for Kveller.com about the new musical sitcom, Crazy Ex-Girlfriend, I wrote:

Our first clue that Rebecca might be Jewish comes when we meet her teen self at drama camp in 2005. She confesses to her boyfriend, Josh, that her mother is “just pissed because I didn’t do the mock trial summer intensive.” Jewish mothers be crazy, am I right?

Read the entire post at: http://www.kveller.com/single-jewish-women-get-a-bad-rap-on-tv-but-crazy-ex-girlfriend-is-hilarious/

Then, this past Monday, we finally had a nice long visit with Rebecca's mother (previously, she'd only been a voice on the phone or a badgering figure in flashbacks). At the end of the episode, she gives a long speech about why she's so tough on her daughter (spoiler: Cossacks are involved). For those who thought it was a bit extreme, especially for a family who's been in America for generations, here is another post I wrote for Kveller, back in 2013:

"The moral of Passover is when you’re told to get up and go, you get up and GO. You don’t start digging through your junk. You take what’s most important, and you leave everything else behind. That’s impossible to do if you live in this kind of mess. How are you ever going to find what you need? If the Israelites didn’t even have time to wait for their bread to rise, trust me, they did not have time to go searching for socks that matched or ponder which book series to pack, Harry Potter or Narnia!"

And that’s when it hit me that perhaps my tirade wasn’t only about a messy bedroom–though, trust, me, that was indeed a substantial part of it. That, just perhaps, it was also about my on-going, ridiculous, irrational, yet nonetheless persistent fear that, someday soon, it may be time to flee. And my kids won’t be prepared.

I know it’s totally absurd, but, every time we have to run for the subway, and I tell my sons and daughter, “Hurry,” and even the 5-year-old grabs my hand and hustles up the stairs double-time, not asking questions about why, not dawdling, not fussing, while the older two momentarily stop their sniping and one-upsmanship and do exactly as I say, I honestly feel a sense of relief that goes beyond being grateful we didn’t miss our train. I genuinely think, “Good. If this were a real emergency, they’d have made it through.”

And if the above doesn’t go off like clockwork, I sincerely panic and wonder, “What would have happened if this were a real emergency?”

Apparently…I have issues. Year-round ones. Which Passover happens to bring out in particular.
I realize that we live in America. Where, I fervently believe, even the most right-wing fundamentalist extremists and/or the most left-wing Communist sympathizers will never accumulate enough political or social power to rouse my family from our beds in the middle of the night and issue the historically familiar edict, “Gather up your things and get thee out.”

But, just in case it ever does happen, I’m ready to flee at a moment’s notice at the first sound of galloping Cossacks approaching.

Read more at: http://www.kveller.com/how-i-learned-to-clean/